Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Modest Urgell
El toc d'oracio

ID: 88882

Modest Urgell El toc d'oracio
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Modest Urgell El toc d'oracio


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Modest Urgell

Modest Urgell (1839-1919) was a Spanish Catalan painter, illustrator, and playwright of comedies. He was educated at the Llotja School, in Barcelona, with Ramon Marte i Alsina and knew Gustave Courbet after a visit to Paris. Though he painted portraits, his prolific body of work is dominated by Neo-romantic landscapes, such as Fields of Loneliness (Campos de Soledad) (1894). He also acted and wrote such works for the theatre as Far from the Eyes, Close to the Heart (Lejos de los Ojos, Cerca del Corazon) (1898). In 1910 he taught at the School of Industrial and Fine Arts in Barcelona. Whilst he was there he worked with Josep Pasce and he taught the young Joan Miro.  Related Paintings of Modest Urgell :. | Meeting the Icon | venus cythereia | The Sphinx | Portrait of Martin Luther | Portrait of Elector Frederick the Wise of Saxony |
Related Artists:
FERRARI, Defendente
Italian painter, Piedmont school (b. ca. 1490, Chivasso, d. after 1531)
Jean-Baptiste marie pierre
French Painter , b. 1713, Paris, d. 1789, Paris
Libri, Girolamo dai
Italian Painter, ca.1474-1555 Illuminator and painter, son of Francesco dai Libri. He was evidently trained by his father, but he received commissions for altarpieces as well as manuscripts. Documents indicate that he lived in Verona all his life, but an early miniature of the Nativity, the only work by him in a series of choir-books almost certainly painted in Ferrara, suggests that he may have spent some time there. Vasari's record that he worked as an illuminator in the monastery of S Salvatore in Candiana (Padua) may be true, as some of Girolamo's surviving miniatures were executed for the abbey. The only record of Girolamo's views on his art occurs in a register of 1544: 'a good and worthy painter must know how to imitate nature well and to feign that which nature makes, and he must be universal in depicting landscapes






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